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Status Quo - On The Level [2 CD Deluxe Edition] (2016) FLAC Beolab1700

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  Status Quo - On The Level [2 CD Deluxe Edition] (2016) FLAC
Beolab1700
  
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   Status
Quo - On The Level 1 Deluxe
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Artist...............: Status Quo
  Album................: On The Level 1 Deluxe
  Genre................:
Rock
  Source...............: CD
  Year.................: 2016
  Ripper...............: EAC (Secure mode)
/ LAME 3.92 & Asus CD-S520
  Codec................: Free Lossless Audio Codec (FLAC)
 
Version..............: reference libFLAC 1.2.1 20070917
  Quality..............: Lossless, (avg. compression: 71
%)
  Channels.............: Stereo / 44100 HZ / 16 Bit
  Tags.................: VorbisComment
 
Information..........: CD IMAGE - LOG - CUE - SCANS
  
  Posted by............: Beolab1700 on 4/8/2016
 

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   Tracklisting
 
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  CD1:
  
  01 Little
Lady
  02 Most Of The Time
  03 I Saw The Light
  04 Over And Done
  05 Nightride
  06 Down
Down
  07 Broken Man
  08 What To Do
  09 Where I Am
  10 Bye Bye Johnny
  
  CD2:
 

  01 Down Down (Single Edit)
  02 Roll Over Lay Down (Live EP)
  03 Gerdundula (Live EP)
  04
Junior’s Wailing (Live EP)
  05 Roadhouse Blues (Live 1975)
  Live In Mainz 22/02/1975
  06
Backwater
  07 Just Take Me
  08 Claudie
  09 Little Lady
  10 Most Of The Time
  11 Bye Bye
Johnny
  12 Down Down (Demo)
  
 
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  Status Quo are one of
Britain’s longest-lived bands, staying together for over 40 years. During much of that time, the band was only
successful in the U.K., where it racked up a string of Top Ten singles across the decades.
  
  In America,
the Quo were ignored after they abandoned psychedelia for heavy boogie rock in the early ’70s. Before that, the
band managed to reach number 12 in the U.S. with the psychedelic classic “Pictures of Matchstick Men” (a Top
Ten hit in the U.K.). Following that single, the band suffered a lean period for the next few years, before the
bandmembers decided to refashion themselves as a hard rock boogie band in 1970 with their Ma Kelly’s Greasy Spoon
album. The Quo have basically recycled the same simple boogie on each successive album and single, yet their popularity
has never waned in Britain. If anything, their very predictability has ensured the group a large following.
  
  The origins of Status Quo lie in a London-based beat group called the Spectres. Francis Rossi (vocals, guitar) and
Alan Lancaster (bass) were the core members of the Spectres from their inception; within a few years, the band had added
drummer John Coughlan and organist Roy Lynes. The Spectres released three unsuccessful singles before changing their
style to psychedelia and adopting the name Traffic Jam and releasing the unsuccessful single “Almost But Not Quite
There.” After it flopped, the group added Rick Parfitt (guitar, vocals), formerly of the cabaret band the
Highlights. When Parfitt joined the band in August 1967, the group again changed its name, this time to Status Quo.
  
  At first, Status Quo backed British solo artists, including Tommy Quickly, while working on their own
material. “Pictures of Matchstick Men,” the group’s debut single, was released at the beginning of
1968 and quickly shot to number seven on the U.K. charts; within a few months, it was a number 12 in the U.S. as well.
The immediate follow-up single, “Black Veils of Melancholy,” was a flop, but “Ice in the Sun,”
written by former British pop star Marty Wilde, became Status Quo’s second Top Ten hit in the fall of 1968. Over
in America, the single barely registered, squeaking to number 70; it was the last time the group would ever chart in the
U.S.
  
  For the next year, Status Quo tried to replicate the success of their first two singles with similar
psychedelic material, but they had little luck. Finally, they revamped their sound — and jettisoned organist
Lynes — in the summer of 1970, debuting their new heavy, bluesy boogie rock with the single “Down the
Dustpipe.” The single reached number 12, yet the full-fledged hard rock album Ma Kelly’s Greasy Spoon
didn’t gain much attention. Status Quo began playing concerts regularly across England, slowly building up a
strong following in England. Following well-received sets at 1972’s Reading and Great Western festivals, the band
became a hot property. The Quo signed with Vertigo Records and their first single for the label, “Paper
Plane,” cracked the Top Ten in early 1973, while their first album for Vertigo, Piledriver, reached number five.
Later that year, Hello entered the charts at number one, while its accompanying single, “Caroline,” reached
number five. Also in 1973, keyboardist Andy Bown, formerly of the Herd and Judas Jump, became the band’s
unofficial keyboardist.
  
  Throughout the ’70s, each album Status Quo released went into the Top
Five, while their singles — including the number one “Down Down” (1974), “Roll Over Lay
Down” (1975), “Rain” (1976), “Wild Side of Life” (1976), and a cover of John
Fogerty’s “Rockin’ All Over the World” (1977) — consistently hit the Top Ten and
frequently went gold. Since they were experiencing a great deal of success, they didn’t change their sound at
all, they just kept churning out the same heavy boogie. America basically ignored Status Quo, yet their eponymous album
managed to chart at 148 in 1976. Nevertheless, they were an English phenomenon, and England continued to support them
even when pop music was undergoing drastic changes in the late ’70s.
  
  Following the release of
1980’s Just Supposin’, drummer John Coughlan left the band in 1981 to form his own group, Diesel. Former
Original Mirrors drummer Pete Kircher replaced him; his first appearance with the group was 1982’s Never Too
Late. During the early ’80s, tensions escalated between bassist Lancaster and guitarists Rossi and Parfitt, who
were the group’s main songwriters. Lancaster left the Quo after performing with them for a final time at Live
Aid. He subsequently took Rossi and Parfitt to court to prevent them from using the name “Status Quo.”
Lancaster lost his battle, and the name became the property of the guitarists.
  
  Once the lawsuit was
settled, Rossi and Parfitt assembled a new band, hiring bassist John Edwards, drummer Jeff Rich, and keyboardist Andy
Bown, who officially became a member of the group. The new lineup continued Status Quo’s remarkable success, as
they racked up a number of new Top Ten singles and hit albums, as well as consistently selling out concerts across
England and Europe. In 1994, the group had its second number one hit of its career, with the football anthem “Come
on You Reds”; the single was recorded with the football champions, Manchester United. By the mid-’90s,
Status Quo had scored 50 British hit singles, which was a greater number than any other band in rock & roll
history.
  
  In April 1997 Parfitt underwent quadruple heart bypass surgery but fully recovered and continued
performing and recording with the Quo in the years to follow. Drummer Rich departed the band in 2000, replaced by Matt
Letley, who has continued on with the band in the 21st century. The single “Jam Side Down” was a Top 20 hit
in the U.K. during 2002, a year that also saw the release of the critically acclaimed Heavy Traffic album. The
all-covers outing Don’t Stop arrived in 2004, followed by The Party Ain’t Over Yet in 2005 and In Search
of the Fourth Chord in 2007. In 2010 the Quo returned with Quid Pro Quo. The album — which featured 14 newly
written songs — peaked at number 10 on the U.K. album chart. Two years later, Parfitt and Rossi announced that
they had filmed their first full-length feature film. Bula Quo — hailed as a modern-day version of the Blues
Brothers — was released in the summer of 2013, with its soundtrack arriving just a few months earlier.
  
  1975 On The Level
  
  If any single song sums up Status Quo in the hearts and the minds of the millions,
it’s “Down Down.” Other songs may have been bigger, others may have more resonance, and some
(“Rocking All Over the World ” comes to mind) may be so permanently ingrained that it’s hard to
remember that Status Quo cut anything else. But, if you want to nail the very essence of Status Quo, only “Down
Down” will do. It was their first British number one and their first all-time classic. And it was also their first
grinning, winking acknowledgement that not only was there a formula to the records they made, but they were not afraid
to list its ingredients. “Down Down” is the perfect Status Quo record, and the fact that it doesn’t
arrive until six songs into the band’s eighth album just proves how much fun it had coming up with it. On the
Level is Quo at its single-minded best. It doesn’t matter whether its driving the boogie through your skull with
the relentless precision of “Little Lady” and “Over and Done,” lurching loosely around the
ghosts of blues and ballads (“Most of the Time” and a positively maniacal finale of “Bye Bye
Johnny”), or even glancing back to their days as one of British psych’s finest pop bands (“What to
Do”). Still, all roads lead back to “Down Down,” a dynamic riff, a perplexing lyric, and a mood
that’s so compulsive that you’ll still be shaking your head in time long after all your hair’s
fallen out. And, just to make it even better, the album version’s almost two minutes longer than the familiar
hit, littered with false starts, fake endings, and one of the cruelest fade-outs in recorded history. It comes just as
you’re really getting into the groove.
  
 
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